The Finest Mirrorless Lenses for 2022

The mirrorless mount SLR lenses we offer here are suitable for a range of shooting requirements, they all share several characteristics.

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Mirrorless Lenses

What Mirrorless Camera Lenses Should Have in 2022

The mirrorless mount SLR lenses we offer here are suitable for a range of shooting requirements, although they all share several characteristics. They are weather- and impact-resistant. Inside, they feature premium glass. They all also create stunning photos. You should be aware that they will be expensive because they are some of the best mirrorless lenses available from reputable manufacturers, although we will occasionally suggest less expensive options.

Even your typical 50mm f/1.8 lens is miles ahead of the one you purchased for your first DSLR thanks to developments in mirrorless SLR technology. Particularly the regular primes from Nikon and Sony provide excellent pictures. Here, the lenses are significantly more sophisticated.

Consider what you plan to photograph during lens buying. Which focal lengths would be most useful? Are you mostly shooting in a studio, or do you need to be near to the action? The lens you purchase will depend on the type of job you perform the bulk of the time, especially if you have a limited budget.

For instance, an 85mm prime works fantastically for portraiture but might not have adequate reach for a wildlife photographer. An excellent addition to the equipment kit of an architectural photographer would be a 15-35mm ultrawide zoom. Consider lenses with a larger aperture if you typically shoot in natural light.

They let you to photograph handheld in dimly lit conditions and permit more light into the lens. Additionally, mirrorless cameras allow for rather large ISO increases. It is crucial for someone like a photographer who is shooting on the run to have this improved capacity for utilising the available light.

You’ll also want something that is properly made, just like any other piece of equipment. On this list, several of the lenses have improved image stabilisation, are weather-sealed, or are impact-resistant to reduce camera wobble and enable shooting in less-than-ideal circumstances. Here are some of the best mirrorless SLR lenses available, whether you’ve recently made the move to mirrorless or are searching for the next well chosen item of equipment to add to your collection.

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The best wide-angle mirrorless lens is the Canon RF 15-35mm F2.8 L IS USM

A flexible wide-angle zoom lens with great maximum aperture, image stabilisation, and the clarity users have come to expect from Canon’s L brand of lenses is the RF 15-35mm F2.8 L. The 15-35mm focal range is ideal for architectural work, interiors, and imaginative portrait photography since it allows you to shoot from ultrawide angles to the more traditional 35mm.

This is the first native lens in this zoom range from Canon for mirrorless cameras, and it offers a slightly wider angle than the equivalent DSLR lens, which has a maximum wide-angle focal length of 16mm. Along with its broad angle, it also combines a continuous f/2.8 aperture.

An added benefit is that it accepts screw-on filters, which is unusual for lenses this wide. An added benefit is that it accepts screw-on filters, which is unusual for lenses this wide. These characteristics combined with weather sealing provide a versatile workhorse lens that enhances the value of any kit.

The best ultra-wideangle mirrorless lens is the Sony FE 12–24mm F2.8 G Master

With the FE 12-24mm F2.8 G Master lens, Sony keeps upholding its reputation for superior optics. The 12-24mm is an excellent addition to the G Master line since it offers a large constant aperture for this zoom range at f/2.8. This lens is great for interior and architectural photography, and the 24mm focal length also makes it a fantastic choice for video.

This ultrawide lens is weather sealed, similar to the majority of premium mirrorless lenses, for added security. This lens produces outstanding photos on even high-resolution cameras, despite being an ultrawide lens, which can exhibit barrel distortion and loss of sharpness at wider apertures. While a little weighty for this lens, it focuses rapidly and is still small.

You should be aware that this lens cannot accept conventional front-mount filter attachments if you utilise accessories like ND filters. This lens is rather expensive, just like many other Sony products. If your budget doesn’t allow for it, Sigma’s 14-24mm ultrawide is a good alternative and costs more than $1,000 less.

Nikon Z 70-200mm f/2.8 VR S is the best mirrorless telephoto lens

The iconic DSLR equivalent of Nikon’s 70-200mm f/2.8 telephoto lens for its mirrorless Z series has undergone a significant upgrade. This lens, which is not overly large for a telephoto, may be utilised for portraits, events, sports, and anything else where you need to go a bit closer to your subject. And f/2.8 is a wide, continuous aperture used throughout.

The upgraded telephoto zoom lens from Nikon has several attractive extras, including two programmable function buttons on the lens barrel, improved vibration reduction, and a minimum focusing distance that is half that of the 70-200mm DSLR lens from Nikon. Additionally, autofocus is incredibly quick and silent, making it ideal for wildlife photographers who don’t want to disturb the wildlife. Naturally, all of this will be somewhat expensive, but with the finest mirrorless lenses, that’s pretty much a certainty.

Sony FE 35mm F1.4 GM is the best mirrorless lens for street photography

With a high maximum aperture of f/1.4, Sony’s FE 35mm F1.4 GM offers one of the greatest focal lengths for street photography in a strong, portable design. When used with a compact mirrorless camera body, this discreet lens nonetheless offers good optics and strong low-light performance.

Sony’s 35mm G Master is robustly constructed and weather sealed despite its smaller weight. An aperture ring with quiet operation and a function button on the lens barrel are nice features. For taking candid street photos or the ideal moments at events, quick focusing is fantastic.

If this lens is out of your price range, Sony’s normal 35mm f/1.8 lens is hundreds of dollars less expensive and produces surprisingly nice pictures. If this lens is out of your price range, Sony’s normal 35mm f/1.8 lens is hundreds of dollars less expensive and produces surprisingly nice pictures.

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Canon RF 85mm F1.2 L USM is the best mirrorless portrait lens

A monster of a portrait lens, the Canon RF 85mm F1.2 L is incredibly crisp even when used wide open at f/1.2. It offers great optical quality, is weather-sealed and shock-resistant, and has extras like a programmable control ring. This is expected given that it is the successor to Canon’s already outstanding 85mm 1.2 L DSLR lens. Just keep in mind that waterproof does not equate to weather-sealed.

While a little bit of rain or a spilt beverage won’t hurt, we wouldn’t advise entirely immersing the lens without a waterproof housing. This 85mm prime lens, which is generally regarded as the best focal length for portraiture, truly shines when used with the eye autofocus included in mirrorless camera systems. Even greater background blur is possible wide open because to the f/1.2 aperture, which is a full half-stop brighter than equivalent lenses with a maximum aperture of f/1.4.

Canon RF 100mm f/2.8L Macro IS USM is the best mirrorless macro lens

The RF 100mm f/2.8L is a further offering from Canon, and it is crisp, quick, and adaptable. It is constructed with the quality seen in Canon’s L series and is a fantastic lens for macro photography, portrait work, or even close-up video shoots. You can get up up and personal with this lens because to its remarkable 1.4X magnification ratio.

Cool additions like a spherical aberration (SA) ring that modifies the bokeh appearance at wide apertures are included in Canon’s newest 100mm macro lens. Canon also advertises eight stops of image stabilisation, which suggests that you can use this lens handheld even in low-light situations and with slower shutter speeds because the in-built stabilisation should be sufficient to make up for it.